INSERT INTO sites(host) VALUES('moviemusicuk.us') 1045: Access denied for user 'www-data'@'localhost' (using password: NO) moviemusicuk.us Estimated Worth $36,355 - MYIP.NET Website Information
Welcome to MyIP.net!
 Set MYIP as homepage      

  
           

Web Page Information

Title:
Meta Description:
Meta Keywords:
sponsored links:
Links:
Images:
Age:
sponsored links:

Traffic and Estimation

Traffic:
Estimation:

Website Ranks

Alexa Rank:
Google Page Rank:
Sogou Rank:
Baidu Cache:

Search Engine Indexed

Search EngineIndexedLinks
 Google:
 Bing:
 Yahoo!:
 Baidu:
 Sogou:
 Youdao:
 Soso:

Server Data

Web Server:
IP address:    
Location:

Registry information

Registrant:
Email:
ICANN Registrar:
Created:
Updated:
Expires:
Status:
Name Server:
Whois Server:

Alexa Rank and trends

Traffic: Today One Week Avg. Three Mon. Avg.
Rank:
PV:
Unique IP:

More ranks in the world

Users from these countries/regions

Where people go on this site

Alexa Charts

Alexa Reach and Rank

Whois data

Front Page Thumbnail

sponsored links:

Front Page Loading Time

Keyword Hits (Biger,better)

Other TLDs of moviemusicuk

TLDs Created Expires Registered
.com
.net
.org
.cn
.com.cn
.asia
.mobi

Similar Websites

More...

Search Engine Spider Emulation

Title:MOVIE MUSIC UK | Film Score Reviews by Jonathan Broxton since 1997
Description:Film Score Reviews by Jonathan Broxton since 1997
Keywords:
Body:
MOVIE MUSIC UK | Film Score Reviews by Jonathan Broxton since 1997
MOVIE MUSIC UK
Film Score Reviews by Jonathan Broxton since 1997
Home
Fathers of Film Music
News and Announcements
Reviews
BACK TO THE FUTURE 鈥 Alan Silvestri
July 9, 2015
Leave a comment
THROWBACK THIRTY
Original Review by Jonathan Broxton
In the spring of 1985, Robert Zemeckis was a young up-and-coming director who had enjoyed some success with the Michael Douglas-Kathleen Turner adventure flick Romancing the Stone the year before, but for the most part was still largely an unknown quantity. His breakthrough came with the release of Back to the Future, a classic time-travelling comedy adventure which went on to become the biggest grossing film of the year, made Michael J. Fox a movie star, and cemented the much-derided DeLorean automobile into cinematic folklore forever. Fox stars as Marty McFly, a typical 1980s kid from suburban California, who is accidentally sent back to the year 1955 by his friend, scientist and inventor Doc Brown (Christopher Lloyd), who has built a time machine out of the aforementioned DeLorean. Stranded in time and without enough fuel to return home, Marty must seek help from the 1955 version of Doc 鈥 but, unfortunately, he inadvertently puts his own future at risk when the teenage version of his mother Lorraine (Lea Thompson) meets and develops a crush on him rather than George (Crispin Glover), the man destined to be his father鈥 Read more #8230;
Categories: Reviews
Tags: Alan Silvestri, Back to the Future, Film Score, Reviews, Throwback Thirty
THE ADVENTURES OF ROBIN HOOD 鈥 Erich Wolfgang Korngold
July 6, 2015
Leave a comment
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
In 1935 Warner Brothers Studio sought to bring an epic swashbuckling film to the big screen and William Keighley was hired to direct. Screenwriters Norman Reilly Raine and Seton Miller were brought in to write the script, for which they drew inspiration from the Medieval Robin Hood legends. A stellar cast was assembled including; Errol Flynn (Sir Robin of Locksley AKA Robin Hood), Olivia de Havilland (Lady Marian Fitzwalter), Basil Rathbone (Sir Guy of Gisbourne), Claude Reins (Prince John), Patrick Knowles (Will Scarlett), Eugene Pallette (Friar Tuck), Alan Hale Sr. (Little John) and Melville Cooper (High Sheriff of Nottingham). The story reveals that in 1,191 C.E. King Richard the Lionheart of England has been taken captive by Leopold V, Duke of Austria, as he returned from the Third Crusade. Regretfully his imprisonment provides a pretext for his treacherous brother Prince John to usurp the throne. As a member of the ruling Norman elite, he begins a reign of terror and oppression of the native Saxons, raising taxes supposedly to ransom Richard #8217;s freedom, but in reality the money flows into his personal coffers for his own enrichment. Only one nobleman has the conscience to oppose John鈥檚 duplicity, the Saxon knight Sir Robin of Locksley. At a court dinner he boldly declares that he will do all in his power to oppose John and restore Richard to the throne. For this affront John issues an arrest warrant. With his lands and title now forfeit, Robin assembles a band of 鈥淢erry Men鈥 who rob from the rich and provide for the poor. When Lady Marion becomes his prisoner, her initial disdain turns to admiration and then love when she sees Robin鈥檚 nobility and care for the people. Eventually Robin discovers Richard has returned and devises a plan to overthrow John. He and his men enter Sir Guy鈥檚 castle dressed as monks and succeed in winning the day, which features an epic duel with Sir Guy. Now vanquished, a contrite John begs for Richard鈥檚 forgiveness, and is exiled. Richard then pardons the Merry Men, knights Robin as Baron of Locksley and Earl of Sherwood and Nottingham. He then commands Robin to marry his ward, the Lady Marian resulting in a classic happy ending! The film was both a huge commercial success and critical success, earning four Academy Award nominations, winning three, including Best Original Score. Read more #8230;
Categories: Reviews
Tags: Erich Wolfgang Korngold, Film Score, MMUK Classics, Oscar-Winning Scores, Reviews, The Adventures of Robin Hood
LIFEFORCE 鈥 Henry Mancini
July 2, 2015
Leave a comment
THROWBACK THIRTY
Original Review by Jonathan Broxton
What do you think of when you think of the music of Henry Mancini? The gentle romance of Breakfast at Tiffany鈥檚? The effortlessly cool jazz of Peter Gunn or The Pink Panther? The forbidden passion of The Thorn Birds? The playful 鈥淏aby Elephant Walk鈥 from Hatari? I鈥檇 bet my bottom dollar that most people would come up with those classics long before they thought of an epic orchestral sci-fi horror score, but that鈥檚 exactly what Mancini wrote for Lifeforce, a British-American production directed by Tobe Hooper and produced by the notorious Yoram Globus and Menahem Golan for Cannon Films. The film is a loose adaptation of Colin Wilson鈥檚 1976 novel The Space Vampires, and stars Steve Railsback as the head of a multi-national space exploration team sent to investigate Halley鈥檚 Comet as it makes one of it鈥檚 regular 75-year passes past Earth. The team finds a space craft concealed inside the comet鈥檚 corona, and inside the space craft they find the preserved bodies of three seemingly humanoid aliens in suspended animation, including one incredibly beautiful female. However, when the space exploration team鈥檚 ship returns home, Mission Control in London finds it empty, save for the three aliens, which soon awake and begin draining 鈥榣ife force鈥 energies from every human they encounter. The film co-starred Peter Firth, Frank Finlay, Patrick Stewart, and Mathilda May, who spends almost the entire film completely naked; despite this obvious selling point, the film was a disaster, recouping less than half of its $25 million budget, and receiving terrible reviews from most critics of the time. Read more #8230;
Categories: Reviews
Tags: Film Score, Henry Mancini, Lifeforce, Michael Kamen, Reviews, Throwback Thirty
HERBERT STOTHART 鈥 Fathers of Film Music, Part 11
July 1, 2015
Leave a comment
Article by Craig Lysy
Born: 11 September 1885, Milwaukee, Wisconsin.
Died: 1 February 1949.
Herbert Stothart was born of Scottish and German ancestry in Milwaukee, Wisconsin, in 1885. He studied at Milwaukee Normal School with a curriculum tailored to prepare him for an academic career as a teacher of history. He helped pay for his education by working as a theatre usher, which also elicited a lifelong fascination with movies. It came to pass that he joined an Episcopal Church choir, which kindled a fervent love of music. When he entered the University of Wisconsin, he continued on this path by composing and conducting musicals for the Haresfoot Dramatic Club. His exposure to the musical arts and his extracurricular activities staging school musicals ignited in Stothart a lifelong passion for music, which would now dominate his life. His hard work paid off when one of his productions, #8220;Manicure Shop #8221;, was successfully staged professionally in Chicago, which opened opportunities for further musical studies in Europe. Once this occurred his career path was firmly set, and he returned to America, securing full-time employment as a composer for vaudeville and New York musical theatre. Read more #8230;
Categories: Fathers of Film Music
Tags: Herbert Stothart
JURASSIC WORLD 鈥 Michael Giacchino
June 30, 2015
Leave a comment
Original Review by Jonathan Broxton
In 1998 a 29-year-old producer and aspiring composer for Disney Interactive was hired to write the score for The Lost World: Jurassic Park, a video game spin off from the recently-released Jurassic Park sequel that had hit cinema screens the year before. The game was one of the first PlayStation console titles to feature an original live orchestral score, and the title was so successful that it led to the composer being given further video game assignments, most notably in the Medal of Honor series, and eventually prestigious TV and film scoring jobs. That composer was Michael Giacchino 鈥 the first composer to successfully blur the lines between scoring video games and theatrical movies 鈥 and, with the release of Jurassic World, his almost 20-year career has come full circle. The film is intended to be a direct sequel to the original Jurassic Park 鈥 ignoring entirely the events of The Lost World and Jurassic Park III 鈥 and is set 20 years later in the now fully-functioning, open and successful theme park that John Hammond envisaged, albeit with the events of the original film having been covered up and buried by Ingen鈥檚 PR department. Bryce Dallas Howard plays Claire Dearing, the park鈥檚 operations manager, who is visited by her two nephews Zach and Gray for a vacation. Unfortunately Claire is preoccupied with recruiting corporate sponsors for their new attraction, a genetically-modified dinosaur called Indominus Rex, and so essentially leaves the kids to their own devices in the park. Things change when Indominus apparently escapes from his paddock, and Claire calls on the park鈥檚 chief animal trainer, Owen Grady (Chris Pratt), to recapture the beast before it starts eating the tourists鈥 Read more #8230;
Categories: Reviews
Tags: Film Score, Jurassic World, Michael Giacchino, Reviews
THE WIZARD OF OZ 鈥 Herbert Stothart
June 29, 2015
Leave a comment
MOVIE MUSIC UK CLASSICS
Original Review by Craig Lysy
Following the enormous commercial success of Walt Disney鈥檚 鈥淪now White And The Seven Dwarfs鈥 (1937), MGM Studio Executive Louis Mayer was determined to cash in and duplicate its success. He found the story he felt was needed and purchased the rights to L. Frank Baum鈥檚 novel, #8220;The Wonderful Wizard of Oz #8221; (1900). Noel Langley, Florence Ryerson and Edgar Allan Woolf were tasked with writing the screenplay. Veteran director Victor Fleming was hired for the project and he assembled a cast, which is now legend; Judy Garland (Dorothy), Frank Morgan (Professor Marvel/Wizard of Oz), Ray Bolger (Hunk/Scarecrow), Jack Haley (Hickory/Tin Man), Bert Lahr (Zeke/Cowardly Lion), Billie Burke (Glinda) and Margaret Hamilton (Miss Gulch and the Wicked Witch of the West). Read more #8230;
Categories: Reviews
Tags: Film Score, Harold Arlen, Herbert Stothart, MMUK Classics, Oscar-Winning Scores, Reviews, The Wizard of Oz, Yip Harburg
COCOON 鈥 James Horner
June 25, 2015
Leave a comment
THROWBACK THIRTY
Original Review by Jonathan Broxton
Cocoon was one of the major box-office successes of 1985, a winning combination of science fiction adventure and family drama directed by Ron Howard. The film stars Don Ameche, Wilford Brimley and Hume Cronyn as three old-timers living in a retirement community in Florida; part of their daily routine is to sneak into an unoccupied house next door and swim in its swimming pool. One day they find a number of strange, rock-like objects at the bottom of the water, but after checking them out, decide to swim there anyway; following their swim, the three geezers suddenly find themselves rejuvenated with a vigorous, youthful energy, and they share their discovery with their respective wives and lady friends, played by Gwen Verdon, Maureen Stapleton, and Jessica Tandy. However, much to the shock of the senior citizens, the 鈥榬ocks in the pool鈥 turn out to be cocoons containing dozens of sick aliens, left behind by friendly extra-terrestrials centuries ago, and which were about to be returned to their home planet by their leader, Brian Dennehy, with the help of a local ship captain, played by Steve Guttenberg 鈥 until the pool was drained of its life force by the old folks. As such, the sextet of retirees must work with the aliens to help them find a way home, without revealing the secret of the pool. The film earned two Academy Awards 鈥 one for Best Supporting Actor for Don Ameche, and one for Best Visual Effects 鈥 and boasted a magnificent score by the then 32-year-old James Horner. Read more #8230;
Categories: Reviews
Tags: Cocoon, Film Score, James Horner, Reviews, Throwback Thirty
Older Entries
RSS feed
Google
Youdao
Xian Guo
Zhua Xia
My Yahoo!
newsgator
Bloglines
iNezha
Twitter
MOVIE MUSIC UK DISCUSSION FORUM
Reviews A-M
Reviews N-Z
Composer Biographies
Awards Database
About Movie Music UK
MOVIE MUSIC UK AWARDS
Shop at the Movie Music UK Store
Member of the
Latest Reviews
BACK TO THE FUTURE 鈥 Alan Silvestri
THE ADVENTURES OF ROBIN HOOD 鈥 Erich Wolfgang Korngold
LIFEFORCE 鈥 Henry Mancini
HERBERT STOTHART 鈥 Fathers of Film Music, Part 11
JURASSIC WORLD 鈥 Michael Giacchino
THE WIZARD OF OZ 鈥 Herbert Stothart
COCOON 鈥 James Horner
James Horner, 1953-2015
PINOCCHIO 鈥 Leigh Harline and Paul J. Smith
TEXAS RISING 鈥 John Debney and Bruce Broughton
Upcoming Films and Scores THE BOY NEXT DOOR - Randy Edelman and Nathan Barr (1/23)
MORTDECAI - Geoff Zanelli and Mark Ronson (1/23)
STRANGE MAGIC - Marius De Vreis (1/23)
ABOVE AND BEYOND - Lorne Balfe (1/30)
AMIRA amp; SAM - Heather McIntosh (1/30)
BLACK OR WHITE - Terence Blanchard (1/30)
JUPITER ASCENDING - Michael Giacchino (2/6)
SPONGEBOB: SPONGE OUT OF WATER - John Debney (2/6)
FIFTY SHADES OF GREY - Danny Elfman (2/14)
KINGSMAN: THE SECRET SERVICE - Henry Jackman and Matthew Margeson (2/14)
THE DUFF - Dominic Lewis (2/20)
HOT TUB TIME MACHINE 2 - Christophe Beck (2/20)
McFARLAND, USA - Antonio Pinto (2/20)
FOCUS - Nick Urata (2/27)
THE LAZARUS EFFECT - Sarah Schachner (2/27)
Monthly Review Archive
July 2015 (4)
June 2015 (10)
May 2015 (8)
April 2015 (11)
March 2015 (4)
February 2015 (13)
January 2015 (12)
December 2014 (10)
November 2014 (13)
October 2014 (13)
September 2014 (15)
August 2014 (17)
July 2014 (4)
June 2014 (5)
May 2014 (6)
April 2014 (3)
March 2014 (8)
February 2014 (14)
January 2014 (8)
December 2013 (7)
November 2013 (8)
October 2013 (9)
September 2013 (11)
August 2013 (3)
July 2013 (8)
June 2013 (5)
May 2013 (6)
April 2013 (11)
March 2013 (7)
February 2013 (7)
January 2013 (9)
December 2012 (3)
November 2012 (5)
October 2012 (13)
August 2012 (3)
July 2012 (8)
June 2012 (1)
May 2012 (2)
April 2012 (6)
March 2012 (2)
February 2012 (5)
January 2012 (7)
December 2011 (6)
November 2011 (4)
October 2011 (10)
September 2011 (9)
August 2011 (6)
May 2011 (6)
April 2011 (7)
March 2011 (12)
February 2011 (10)
January 2011 (8)
December 2010 (9)
November 2010 (9)
October 2010 (6)
July 2010 (1)
April 2010 (2)
March 2010 (4)
February 2010 (6)
January 2010 (2)
December 2009 (12)
November 2009 (11)
October 2009 (14)
September 2009 (12)
August 2009 (11)
July 2009 (6)
June 2009 (8)
May 2009 (10)
April 2009 (9)
March 2009 (10)
February 2009 (6)
January 2009 (11)
December 2008 (19)
November 2008 (12)
October 2008 (18)
September 2008 (9)
August 2008 (10)
July 2008 (8)
June 2008 (8)
May 2008 (7)
April 2008 (8)
March 2008 (8)
February 2008 (13)
January 2008 (5)
December 2007 (17)
November 2007 (8)
October 2007 (14)
September 2007 (16)
August 2007 (18)
July 2007 (11)
June 2007 (12)
May 2007 (8)
April 2007 (12)
March 2007 (19)
February 2007 (13)
January 2007 (7)
December 2006 (14)
November 2006 (9)
October 2006 (3)
September 2006 (7)
August 2006 (3)
July 2006 (4)
June 2006 (3)
May 2006 (6)
April 2006 (2)
March 2006 (1)
February 2006 (1)
January 2006 (3)
December 2005 (9)
November 2005 (4)
October 2005 (2)
September 2005 (11)
August 2005 (2)
July 2005 (6)
June 2005 (9)
May 2005 (5)
April 2005 (6)
March 2005 (5)
February 2005 (3)
January 2005 (5)
December 2004 (6)
November 2004 (8)
October 2004 (9)
September 2004 (4)
August 2004 (2)
July 2004 (6)
June 2004 (2)
May 2004 (6)
April 2004 (5)
March 2004 (2)
February 2004 (1)
December 2003 (5)
November 2003 (5)
October 2003 (1)
September 2003 (1)
August 2003 (2)
July 2003 (6)
June 2003 (2)
May 2003 (3)
April 2003 (1)
March 2003 (1)
February 2003 (2)
January 2003 (2)
December 2002 (7)
November 2002 (4)
October 2002 (2)
September 2002 (1)
August 2002 (2)
July 2002 (3)
June 2002 (3)
May 2002 (2)
April 2002 (1)
February 2002 (2)
December 2001 (5)
November 2001 (1)
October 2001 (3)
August 2001 (3)
July 2001 (1)
June 2001 (2)
May 2001 (1)
April 2001 (2)
March 2001 (2)
December 2000 (6)
November 2000 (4)
October 2000 (4)
September 2000 (3)
August 2000 (3)
July 2000 (3)
June 2000 (6)
May 2000 (7)
April 2000 (3)
March 2000 (4)
February 2000 (8)
January 2000 (1)
December 1999 (14)
November 1999 (11)
October 1999 (9)
September 1999 (3)
August 1999 (11)
July 1999 (7)
May 1999 (5)
April 1999 (2)
August 1997 (1)
Links Film Score Monthly
FilmtracksA
Main TitlesA
Movie WaveA
Music From the MoviesA
Soundtrack ExpressA
Top
Blog at WordPress.com. The INove Theme.
MOVIE MUSIC UK
Blog at WordPress.com. The INove Theme.
Follow
Follow ldquo;MOVIE MUSIC UK rdquo;
Get every new post delivered to your Inbox.
Join 651 other followers
Build a website with WordPress.com
Add your thoughts here... (optional)
Post to
Cancel

Updated Time

Updating   
Friend links: ProxyFire    More...
Site Map 1 2 3 4 5 6 7 8 9 10 20 30 40 50 60 70 80 90 100 110 120 130 140 150 160 170 180 190 200 250 300 350 400 450 500 550 600 610 620 630 640 650 660 670 680 690 700 710 720 730 740 750
TOS | Contact us
© 2009 MyIP.cn Dev by MYIP Elapsed:27.250ms